SUPPORTING EYE SCREAM
First off, if you’d like to make a donation to make future film analyses possible, or to simply express your appreciation for this work, please click here, and do whatever’s in your heart.
CONTACTING ME
eyescream237 (at) gmail (dot) com
Second, if you have an insight about an as-yet-unidentified piece of art in the film, please contact me at the above email. Include the phrase “Help Identifying Shining Art” in the headline, and if you can provide visual evidence, all the better.
If you’ve noticed an error, follow the same directions, but include a screenshot of the error, with a brief explanation of why you think it’s an error (nothing hypothetical, please, just typos or factual errors), and ensure that the headline of your email is simply “Correction” or if you’re feeling especially Grady-esque “Corrrrrection”. I appreciate your assistance.
SPECIAL THANKS
I owe a debt of gratitude to Joel Welsh and my anonymous superfans who’ve helped put names to several of the Overlook’s photos and art pieces. The art analysis page would not be what it is without their contributions.
Check out the digital recreations of the Overlook Hotel by deltabuilder, whose been a major source of help.
And I really couldn’t have done this without the incredible insights of the Room 237 gang, especially Juli Kearns and John Fell Ryan. This has long felt like a “shoulders of giants” thing to me, and I hope I did ya proud.
ABOUT ME
As for myself, I’ve been operating in the shadows of the Canadian art scene for some years now, from sea to freezing sea (if you like music, I wrote this). Eye Scream represents my first foray into a major publication of my own.
Subscribe to my channel on YouTube for video version of my theories.
MAIN PAGE ⎔ SITE MAP ⎔ GLOSSARY
OTHER MAIN PAGES FOR SHINING ANALYSIS
THE MIRRORFORM ⎔ THE BEATLES ⎔ THE RUM AND THE RED
BACKGROUND ART ⎔ OVERLOOK PHOTOGRAPHS ⎔ GOLDEN SPIRALS
PHI GRIDS ⎔ PATTERNS ⎔ VIOLENCE AND INDIGENA ⎔ ABSURDITIES
THE STORY ROOM ⎔ ANIMAL SYMBOLS ⎔ THE ANNOTATED SHINING
EYE SCREAM 